The Actor’s Absent Voice: Silent Cinema and the Archives of Kabuki in Prewar Japan (Jonathan Zwicker)ġ6. The Duppy in the Machine: Voice and Technology in Jamaican Popular Music (Andrew F.
The Prosthetic Voice in Ancient Greece (Sarah Nooter)ġ4. Part VI: Technology, Difference, and the Uncannyġ3. Vowels/Consonants: The Legend of a “Gendered” (Sexual) Difference Told by Cinema (Michel Chion, translated by Zakir Paul)
There Is No Such Thing as the Composer’s Voice (Seth Brodsky)ġ2. The Gesamtkunstwerk and Its Discontents: The Wounded Voice in (and around) Alexander von Zemlinsky’s The Dwarf (David J. Voice Gap Crack Break (Martha Feldman)ġ0. Is the Voice a Myth? A Rereading of Ovid (Shane Butler)ĩ. “I Am an Essentialist”: Against the Voice Itself (James Q. The Artist’s Impression: Ethel Waters as Mimic (Laurie Stras)ħ. It’s All by Someone Else (Robert Polito)Ħ. Part III: Vocal Owners and Borrowed Voicesĥ. Screamlines: On the Anatomy and Geology of Radio (Neil Verma) Voice, Music, Modernism: The Case of Luigi Nono and Karlheinz Stockhausen (Marcelle Pierson)Ĥ. From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era (Judith T. The Clamor of Voices (Martha Feldman and Judith T.
0 kommentar(er)
